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婴儿入侵
- 主演：未知
- 导演：哈莫尼·科林
- 分类： 动作
- 地区：美国
- 年份：2024
- 更新：2025-03-26 01:30:05
- 简介：“This is Home Invasion,” Korine says, pointing at a computer monitor inside the house. On the screen plays security--camera and GoPro footage of masked men and women, wearing horns, rampaging through various Miami McMansions, tying up various innocent-looking families. “We’re trying to gamify movies,” Korine says. So Home Invasion is designed to look, at times, like a first-per... (展开全部) “This is Home Invasion,” Korine says, pointing at a computer monitor inside the house. On the screen plays security--camera and GoPro footage of masked men and women, wearing horns, rampaging through various Miami McMansions, tying up various innocent-looking families. “We’re trying to gamify movies,” Korine says. So Home Invasion is designed to look, at times, like a first-person shooter, and inside the film the home invaders are sometimes playing games —the idea being you can scan a QR code and play along with them. “What we’re trying to do is to build some mechanism that allows people to interface with the footage and basically remix, or make their own, films,” Korine says.
“This is Home Invasion,” Korine says, pointing at a computer monitor inside the house. On the screen plays security--camera and GoPro footage of masked men and women, wearing horns, rampaging through various Miami McMansions, tying up various innocent-looking families. “We’re trying to gamify movies,” Korine says. So Home Invasion is designed to look, at times, like a first-per... (展开全部) “This is Home Invasion,” Korine says, pointing at a computer monitor inside the house. On the screen plays security--camera and GoPro footage of masked men and women, wearing horns, rampaging through various Miami McMansions, tying up various innocent-looking families. “We’re trying to gamify movies,” Korine says. So Home Invasion is designed to look, at times, like a first-person shooter, and inside the film the home invaders are sometimes playing games —the idea being you can scan a QR code and play along with them. “What we’re trying to do is to build some mechanism that allows people to interface with the footage and basically remix, or make their own, films,” Korine says.